(Source: craro, via dreamsareillegal)

(Source: attaches, via dreamsareillegal)

(via coffeecaine)

xdisposable:

..

orshazm:

breathlesslybroken:

thinspocean:

still-moving-on:

m-isguidedghos-t:

Boys don’t understand the horrible view girls have of themselves

AMEN

Literally fml

I’ll always reblog this I think

This is what I see

Ugh

(Source: lizbarf, via someonelikecipriano)

the-absolute-best-posts:

This post has been featured on a 1000notes.com blog.

graphicporn:

Saiman Chow

graphicporn:

Carl Kleiner

graphicporn:

Icosahedron - Carl Kleiner

itwonlast:

Paul Renner’s original design for Futura (1927-29) shows the influence of Herbert Bayer’s experimental “Universal” alphabet. The initial design included several geometrically constructed alternative characters and ranging (old-style) figures  for lowercase a, g, and r, for some punctuation and for uppercase characters including German accents. Although the experimental alternates were originally included, they were quickly removed from the face’s character set for being too radical, resulting in the more conventional, and perhaps more economically successful, typeface we know today. The alternative characters can still be found in the revival typeface Architype Renner and Sol Hess’ LTC Twentieth Century Medium Alt, they’re also featured in one of the  location cards in Quantum of Solace (by London design collective Tomato).

(via graphicporn)

graphicporn:

1968 Civil Rights Movement billboard (via butdoesitfloat)

cabbagerose:

zagreb, bukovac/dva arhitekta

via: dvaarhitekta

pleoros:

Hawaii

(via innernettevibes)

saskiakeultjes:

Today: falling a mood drawing with hard and soft pencils on paper invert by Saskia Keultjes facebook

(via electricctwist)

visualgraphic:

The Dirty South

(via raaskallen)